Tuesday, November 22, 2011
DWG's Juggling Revolution Begins
Wednesday, June 8, 2011
Fragments-- Completed!
Project Description
Throughout the Bay Area, mountain lions are predators to deer, pigs, and other smaller mammals; they in turn fall prey to humans who have urbanized the region. Fragments is an exploration of the tension nested within human-mountain lion interaction; it identifies the role of mountain lions both as apex predators and as victims of accidental or unjust interactions with humans.
This series contains six works, from left to right:
Puma concolor, oil on canvas
Mountain lions, also known as cougars and pumas, are territorial animals that prefer low population densities. The average male mountain lion stands 60 to 76 centimeters (2.0 to 2.5 ft) tall, and is around 2.4 meters (8 ft) long from nose to tail, about 80 centimeters (32 in) of which is the tail. They are the fourth largest cats.
Hesitation, mixed media on canvas
The Bay Area has seen a recent influx in mountain lion sightings, and indeed, it seems reasonable that twenty-first century industrialized Americans are scared of these felines roaming near the homes in which young children are being raised.
Fragmentation, oil on canvas
Urbanization in the Bay Area has led to humans building homes and roads through the areas mountain lions once lived. As a result, mountain lion territory has been broken into pockets in a phenomenon called habitat fragmentation. This reduction of habitat size leads to crowding and increased competition, factors which play into species becoming threatened or endangered.
CARNIVORE, oil on canvas
In the Bay Area Puma Project, scientists led by Chris Wilmers are tracking the movement of mountain lions in the Santa Cruz Mountains. They are currently following 15 pumas by way of a GPS collar tracking system named CARNIVORE.
Oops, oil on canvas
Because mountain lions require a large territory, human-induced habitat fragmentation has led these lions to cross roads such as Highway 17 near Santa Cruz in search of more land, prey, and vegetation. Unfortunately, not all mountain lions make it safely across this freeway.
Resolution, mixed media on canvas
One method to counter the harmful effects of habitat fragmentation is to build wildlife overpasses across freeways to connect one side to the other. These overpasses are landscaped bridges for animals to walk across.
Special thanks to Xiaoze Xie and Chris Wilmers. Sponsored by SiCa Spark! Grant.Sunday, May 29, 2011
Re-... Mission Successful!
Our completed work was performed as the opening piece at the Dance Division’s “MOVES: Spring Student Works Showcase” which took place at 8:30pm and 10:00pm on Friday, May 13, 2011 at Roble Gym Studio 38. The finished product integrated the dance, interactive projection, and sound elements to present a unique collaborative work on the theme of memory.
We thank the Spark! Grant program for funding this project. The financial support supplied us with the equipment necessary to make this project a reality. It provided us with the means to thoroughly explore this partnership of artistic mediums, which has been inspiring and deeply gratifying. We also extend a special thanks to Diane Frank, Tony Kramer, Jaroslaw Kapuscinski, and the Center for Computer Research in Music and Acoustics for their help with this project.
Choreography/Dancers: Ali McKeon and Katherine Disenhof
Live Video Processing: Hunter McCurry
Sound: Chris Carlson (cloudveins.bandcamp.com)
Saturday, May 28, 2011
Inside and Out
me:
quiet, composed, and content above the water.
legs paddling frantically below the surface to stay afloat.
you:
quiet, composed, and content above the water.
that’s all i know.
When you look at another being, what do you think about? Chances are the surface dominates your thoughts. When we see the facade of something familiar, we often forget the complexities that exist within. We forget that hopes, dreams, anxieties flood other living beings. We forget about the bones, the tissues, the living breathing cells. We forget the effort that ducks put into floating serenely across the lake.
How does this general unawareness affect our perception of the world and ourselves? Where does the life go when we talk about another’s appearance? If we are not aware of it, does it even exist?
I’d like to ask you a favor: please have an experience with this piece. You may look briefly and walk away, or stand and stare at a single element. You may even feel the need to spend minutes inspecting the placement of every diagnostic scan. Feel free to get up close, to move away. Talk to someone near you, or to no one. Share your thoughts in the notebook below, or choose to keep them private. See if you can discern the place of separation between the surface appearance and the internal occurrence. Maybe you can find it. Maybe then you can explain it to me…
About the Artist:
My name is Fallon Segarra. I am a Biology major, an Art Practice minor, a long-time horse fanatic, and an aspiring equine orthopedic surgeon. I enjoy thinking up conceptual art projects that do not always work out aesthetically, but do always teach me something.
My work tends to be photographic and hand-held. This is my first attempt at anything you cannot put in a carry-on suitcase.
Monday, May 23, 2011
_______: A Debut in Performance Art
_______: A Debut in Performance Art - highlights of our final performance!
Thursday, May 19, 2011
Tensegrity: A New Scale

Friday, April 29, 2011
"Re-"
With the performances only two weeks away, our new work is finally coming together. We have most of our materials and have been able to work with the projection images in the studio space. Moreover, the music and choreography are almost complete. Hopefully we will be able to finish the piece by the end of next week.
This new work will be performed as a part of the Dance Division's Student Choreography Showcase in Roble Gym on Friday, May 13th, at 8:30pm and 10:00pm.
Tuesday, April 26, 2011
Saturday, April 23, 2011

Monday, April 18, 2011
_______: A Debut in Performance Art -- construction
1 - Independence Day - Timeline
Here’s the information for our performances:
FREE ADMISSION
April 21-23 2011, 7:30 pm
Thursday, April 21st, 7:30PM - French House, 610 Mayfield Ave
Friday, April 22nd, 7.30 pm - Roble Theater (in Roble Hall), 374 Santa Teresa St.
Saturday, April 23rd, 7.30 pm - Synergy, 550 San Juan St.
Hope you guys can make it! Tickets can be reserved at http://goo.gl/4PUOD
*
For documentation’s sake, this was our timeline for the past two quarters:
WINTER QUARTER
Early February: General preparation and planning
February 23-24: Auditions
February 26: Casting decisions
SPRING QUARTER
March 27: Rehearsals begin
April 5: Visit by Word for Word San Francisco
April 12: Visit by Word for Word San Francisco
April 13: Flyering begins
April 21-23: Performances…!
Sunday, April 17, 2011
"Re-": react, reflect, recount, reflex
A bit about our project, Re-:
Inspired by SiCa’s theme of Memory and the work of Frieder Weiss, we are working on a collaborative work between dance and an interactive motion tracking video system that will be performed as part of the Dance Division’s Student Works Concert on May 13, 2011 at 8:30pm and 10:00pm in Roble Gym. With Ali and me serving as both choreographers and dancers, the work’s foundation will be rooted in dance. An interactive computer system designed by Hunter will be strongly integrated through the use of live motion tracking technology and projection. To our knowledge, no work of this kind has been created at Stanford ever before. While dance is frequently performed on the typical stage venue and interactive sound and video systems are developed separately at the Center for Computer Research in Music and Acoustics (CCRMA), this will be the first time that the two creative mediums join forces.
This unique partnership between dance and technology will generate an interesting dialogue on the idea of memory. On one hand, the overall conceptual basis of the work is cause and effect. The learned choreography that the dancers perform acts as the cause that stimulates the motion-capture system and affects the nature of the images projected onto the screen. In this way, the dancers represent memory while the projections make those memories tangible through visual abstraction. Additionally, the narrative context for the work will further explore memory. Although the choreography will not tell a linear story, it will subtly evoke the idea that the performers are reminiscing on memories of the past. The projections might include images such as water effects that reflect pictures (representing memories) which the dancers distort by using their movements to stimulate ripples throughout the projection.
This affiliation with memory is echoed in our project’s title, Re-. Through the process of developing the outline for this work, we were consistently using words containing the prefix “re-”: react, reflect, rewind, recount, retrace, reflex, etc. We then came to realize that, by definition, the prefix “re-” attaches the theme of memory to nearly any word that it is paired with. Thus, we have decided to title the project “Re-” because of the fact that this work will provide a multidimensional commentary on the theme of memory.
Progress Update:
While we have made a lot of progress so far, there is still a lot of work to be done before the May 13th performances. Due to the fact that this is much more complicated that a typical dance work, most of our group meetings have been more about planning logistics than actual dance rehearsals. For instance, we had to meet with the Dance Division’s facilities manager to ensure that our equipment would meet the fire codes to Roble Gym and that we would not blow the fuses to the dance studio. Ali and I also met with the four other choreographers who will be presenting work in the performances to discuss the format of the evening. Our group also struggled for a little while as we tried to figure out the best way to obtain two 7x10 foot rear projector screens that would stand on their own.
Meanwhile, we found a great music artist (Chris Carlson) who is currently composing the score for our work. Hunter is busy working on some fantastic projection images. Ali and I have made good progress in the studio, but we still have a long way to go. Here’s a quick glimpse of what we have so far:
Monday, April 11, 2011
Drug Wars
Here is a sketch of the final drawing:

The drawing resembles Mexico National Flag, with some variations. The drawing is divided in three sections: On the far right, there is the Mexican elites controlling President Calderon (who acts like a dog) and the army in the background as a threat in the horizon. On the far left there is the American side of the problem, a group of people consuming drugs, lost in a vicious and disgusting environment, and the American government feeding the monster (a million headed snake that lives under the Mexican soil - the illegal drug industry). In the middle there is the Mexican people, guarded by an eagle which is attacked by the snake.
There is a lot of symbolism in the drawing, however it will make more sense to explain it once I have a more rendered view of the final drawing. I will keep posting...
Thursday, March 24, 2011
Second Poster Done


This poster was pretty fun to make. I divided the poster into regions, each with a different motif. Then I had the regions melt and expand into each other, which worked better for some than others. I think maybe a more circular region structure would have blended better. I'll try a more unified structure for the next poster.
Saturday, March 19, 2011
First Poster Finished

Alright, I've finished the first poster. It ended up having a balanced amount of semantic and non-semantic content. I wonder how it will look when I print it out.
Sunday, February 20, 2011
Tensegrity: Attempt One

Sunday, February 13, 2011
First Prints
Saturday, February 12, 2011
_______: A Debut in Performance Art -- Doing Work...
Friday, February 4, 2011
Design Run



First design run was last night and everyone had costumes on! These are the basic tunics. They are almost all done -- I still need to stitch elastic for some people and I am going to screen print roman borders on the bottom of some people's tunics.
Wednesday, February 2, 2011
Partway Through Visual Poem #1

Tuesday, February 1, 2011
January Updates.
Title: Should Be, Could Be, But Is
Producer: Nayoung Woo
Objective: The project is a fifteen to twenty minute documentary film about the queer and Asian American experience. Its objective is to build more awareness for the queer and Asian American individuals and their particular circumstance at the intersection of two somewhat conflicting identities.
OUR COMING OUT STORIES
Three queer and Asian individuals share their coming out stories, 1) in which a parent actually had a heart attack and refused to be taken to the hospital by his child, the only person that could drive, 2) in which it did not happen because of the knowledge that the only other sibling is also gay, 3) in which a parent never again readdressed the issue.
The title of the film, “Should Be, Could Be, But Is,” appears.
HIS IDENTITY
Here is Christopher Lee, a sophomore and sociology major at Stanford University. He is going to classes, working in his sociology lab, and growing rare plants in his room as a hobby.
Chris has an American born and raised mother and holds an American passport; he identifies himself as Korean American. However, it can be said that he puts an emphasis on his ethnic background, as he was raised for a long time in Korea as well as in China.
In his interview, Chris talks about feeling comfortable in Asia because it is a place where there are people like him, and he knows and fits into its cultural norms and customs. More specifically, he looks, talks, and acts like a Korean, and the community embraces him for being of one nationality, of “one blood.” Also, he does not have to think constantly about the differences in and judgments against his race and ethnicity, not only in his physical appearence but also in his upbringing, habits, and beliefs.
THE AMERICAN DREAM
Only feet and torsos appear in the scenes in which Chris is hanging out with his friends in Korea. There is something strange about the picture. The friends are saying their farewell to Chris, as Chris has chosen to go to America to study, and eventually to live. He has made this decision because in America there is the opportunity for him to pursue a lifestyle that he would like for himself: to be accepted for being gay.
Yes, Christopher Lee is a gay man. His friends in Korea are gay as well, and hence unable to appear in this film. In his interview, Chris says that he wants a future in which he is be able to talk openly about his partner and to build a family of his own, in which he would not be the only person whose face appears in this film.
Unfortunately, such a future is currently not a viable option in Korea, not as a fault or backwardness of the country and its inhabitants, but because of its traditional beliefs based on family values, and on a macro-scale, community values. It bothers Chris that he has not come out to his family, the people that are most important to him, but that is simply the way it is.
THE PROBLEM
Often, though, his inability to come out does more than to just bother Chris. He is accused by his friends in the gay community as a hypocrite, particularly in his role as a gay-rights activist. But in his opinion, these criticisms are made without an understanding of his family’s immigrant status, their Confucian and Christian values.
Perhaps due to this reception, when Chris is participating in the mainstream gay community events, his movements and volume of voice are a little restricted, as if he is a little more careful in what he does or says. In his interview, Chris talks about his experiences working as an intern at the Lesbian Bisexual Gay and Transgender Community Resource Center at Stanford University and a gay organization in New York, as well as frequenting the Castro district in San Francisco. He remarks that he is almost always the only Asian person in these places.
Chris says that he is unable to express his ideas and be taken seriously for them, in his opinion, because he fits into the Asian stereotype of a good but quiet worker with a thick accent, who would not make much of a leader anyways. Even when he has organized an event, he takes the back seat because he tends not to be as extroverted and straight forward as his American collaborators. Chris is ultimately crowded out by them.
Chris, in his interview, says that he is frustrated because of this barrier not only to be a leader, a role that he easily occupied among his friends in Korea, but also to be one of many a kind, as he was too frequently the only Asian in the mainstream gay-rights activism events that he has been to in America. As a result, he feels isolated and has surprisingly been unable to embrace this community as his own.
HIS VISION
More importantly, Chris is interested in providing basic support for individuals who are struggling with their sexual orientation and identities but have no forum to speak about their ordeals because, to list some examples: it is taboo, linked to the provision of tuition and other livelihood, against religious beliefs, damaging to friendships and career options, and will lead to disgrace to and even disownment from family. However, he has learned the hard way that the mainstream gay-rights activism is focused extensively on providing more advanced form of rights, such as those to marriage, adoption, from rejecting military service, preventing bullying in schools, et cetera.
Chris, hoping to build a unified gay community of mutual support, realizes that his aspirations are nearly impossible to fulfill in the American society, which empowers gay people to different extents depending on their different backgrounds and circumstances. He is rather unnerved by the silence within the gay community caused by the mainstream gay activism that neglects the fact that not all members of the gay community can exercise the rights that it has secured.
OUR DISPOSITION
Chris is, in fact, not alone in his disappointment and frustration.
Other gay and Asian individuals speak about their experiences, 1) in which not being flamboyant enough makes them feel unauthentic in the mainstream gay community, 2) in which they cannot discuss their considerations about their sexual orientation and identities affecting their family’s business or honor or investment in them for the fear of being thought as crazy.
HIS VISION TAKE TWO
But there is a budding community of gay and Asian individuals. It holds weekly meetings, quarterly retreats, numerous lunch or dinner outings, movie screenings, study parties, discussions, workshops, et cetera.
It brings together exactly those individuals who have been marginalized from the Asian community for being gay, and the gay community for being stereotypically Asian, that is, being unexpressive and caring excessively for family values. It is a place of much tears and laughter, and the sense of togetherness when these emotions are shared.
Chris even has someone he looks up to as a mentor in the community, and everyone is his very close friend. The queer and Asian community has become his strength, and the new focus of his activism has become the delivery of its grievances to the queer, and separately, the Asian communities at large. Although he stumbled over it due to sheer need and accidental fortune, Chris is thankful for this community.
We are queer, and at the same time, Asian. There is what we “should be,” a man having to love and marry a woman, as prescribed by the Asian community. And there is what we “could be,” a man being able to love and marry another man, as proposed by the gay community. But in fact we are what we are: an undefined something, somewhere between what should be and could be. We are the “but is.”
3) Plans for February:
- Put together existing footages into visual treatment
- Film interview sequences of Chris during a weekend (Most likely February 25th, 26th, 27th)
Cheers, N.
Monday, January 31, 2011
Worlds of Dubai
What's sparkin' sparkees?
Worlds of Dubai is taking its first and most formative steps -- we have developed many of our cameras (the disposable ones that we distributed to people in Dubai...) and gotten them put on CDs which we've uploaded to our Flickr. Check it. On the right hand side, you can peruse the sets of the individuals that took the photos, they are migrant laborers, ex-pats, students, tourists, hotel workers, waiters..
Next steps: select and print photos, make an installation, tour dorms, make art.
Dubai love
Saturday, January 29, 2011
_______: A Debut in Performance Art -- wood
Thursday, January 27, 2011
_______: A Debut in Performance Art -- getting started

Warning: Due to desired anonymity, this post is vague...hope you like the group’s alias g-mail!
Three weeks in and we have a sturdy design for our grand project. But, with grandeur come glitches...alas. One thing we did not pre-mediate was that, with the construction of a giant structure, comes the need of a place to build it (and eventually to store it - but we will master that obstacle later). ________ is on a quest across campus to find every wood/design shop and it looks like we might figure out some solution. In light of the present challenges, _______’s very own designer decided that collapsibility of the structure is important, and came up with some new features to enable the structure to collapse into smaller parts once it is built (see a small bit of our drawings attached!).
This Friday _______ is trekking to buy supplies and soon the actual building will commence.
More ambiguous news soon!
Sunday, January 23, 2011
white rabbit zine
Monday, January 17, 2011
Materials Received
I haven't had time to work on the actual design/construction yet, but on 1/30 I'm planning on taking all the bamboo rods to the machine shop and drilling holes at the ends, through which I will do the string connections. I will have my friends help me with the process.

